Dec 14, 2010

The Occult Experience (1985)

Director:
Frank Heimans


"This is an Australian documentary on various forms of Paganism. It shows some of the major players and different factions of a world most people don't know much about.

Things get underway by going into the "dark side" of groups such as San Fransisco's Church of Satan and Temple of Set. The "Church" was started by huckster Anton LaVey who sold his Nietzsche-lite beliefs as a greedy form of self-worship. The clips of LaVey are from the 1968 documentary 'SATANIS'. Temple of Set founder Michael Aquino and his wife Lilith Sinclair are interviewed. Aquino shows off an authentic Nazi dagger he owns and explains that National Socialists such as Himmler also had a deep interest in the occult. Aquino is a former Green Beret Colnel who broke away from the Church of Satan to start his own group. Col. Aquino's name was circulated in the media during the 1980s "Satanic ritual abuse" scare. He was accused of molestation at the Presidio Army day care and later in various books such as 'THE NEW SATANISTS' and 'PAINTED BLACK'. All cases involving Aquino were either settled or thrown out of court.

Next we move to the American Midwest to drop in on Selena Fox, who started a place for nature paganism called "Circle Sanctuary". The language used by Fox is more New Age sounding ("love consciousness", "Jesus was a witch", etc.). Her group is shown doing an incantation.

From here we go to Mr. Alex Sanders, the "King of Witches". His "legendary" reputation is mentioned but we don't really hear why he's so significant. He summons an Aztec spirit by wearing a mask and doing a dance in his underwear. He also says that his grandmother gave him degrees in ritual sex. Then we go to Ireland to check in on one of his followers, who initiates a young man by taking his clothes off and having him run naked through the woods, braving each of the four elements.

There is a segment with Christians performing exorcisms. This is to show that some mainstream religions have practices that resemble pagan religions.

Also covered is the "Goddess Movement" where a woman named "Z. Budapest" practices what she calls "Dianic Wicca". It is theorized in this video that the popularity of Goddess religions is due to the feminist movement and women's desire to be a god. This is similar to what Lilith Sinclair says about her Satanic religion earlier on the tape.

For art lovers, there are segments on two artists from different time periods. Australian artist Rosaleen Norton worshipped Pan and was lambasted for it. A few of her paintings are shown. Swiss artist H.R. Giger (famous for designing the creatures from the 'ALIENS' and 'SPECIES' movies) lets us go inside his studio. He says that women have hurt him so that is why he paints them so often. However he doesn't really mention how paganism or satanism relates to his paintings.

This documentary is lacking references to two individuals who had a lot to do with the renewed interest in the occult: Theosophist H.P. Blavatsky and Aleister Crowley. The influence of these two doesn't only extend to the occult groups mentioned in this video but also to the so-called "New Age" movement. In any case it is useful in identifying some of the different people involved and the reasons the occult appeals to them."


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Dec 13, 2010

Always for Pleasure (1978)



"A look at the spirit of New Orleans. First a funeral: Allen Toussaint explains that you arrive slow and cut up afterwards. Then it's food, with a lesson in eating crayfish at Frankie and Johnny's. Next, a St. Patrick's Day party: New Orleans celebrates holidays on the streets. Then it's preparation for Mardi gras, with roots in slave days, when slaves gathered on Sundays to prepare for the one holiday they could celebrate. The Wild Tchoupitoulas society makes Indian costumes to honor the help Indians gave slaves. At Mardi gras, we're with this society parading, singing, and partying. We end with the annual parade for St. Joseph, the saint of the people. More music, dance and ritual."

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Dec 12, 2010

Hearts of Darkness: A Filmmaker's Apocalypse (1991)

Directors:
Fax Bahr
George Hickenlooper


"Documentary that chronicles how Francis Ford Coppola's "Apocalypse Now" was plagued by extraordinary script, shooting, budget, and casting problems--nearly destroying the life and career of the celebrated director."

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Dec 10, 2010

La vida loca (2008)


Director:
Christian Poveda


"The Salvadorian street gangs are, first and foremost, an image, a précis of contemporary history, a doctored picture of a locality in a world that's become global. It's a memory of the gang, the fundamental myth of organised crime.

Children of the Bloods and Crips, the gangs made famous by the Dennis Hopper film Colors, these gangs were born in the Hispanic ghetto of L.A. Now traditional enemies, they are engaged in an all-out suburban war that started in the streets of Los Angeles, spreading to numerous North American cities and prisons in which hundreds, and now thousands of gang members are incarcerated.

Serving long, if not life sentences for homicide, robbery with violence, drug trafficking and carrying arms, the gangs that “controlled” the ghettos took possession of the prisons. Coming from all over Central America, over a ten year period confused teenagers, economic and political immigrants, and, in particular, hundreds of thousands of children of Salvadorians fleeing the civil war, formed themselves into well-structured criminal organisations, killing their enemies both "inside" and "outside" the gangs.

The gangs are known as maras, after the marabuntas, the carnivorous ants of Central America that destroy all life in their path, thus giving rise to the Mara Salvatrucha (literally, “Salvadorian ant”), also known as the MS-13, after 13th Street in South Central Los Angeles. This organisation was soon followed by another mara, the formidable M-18, taking its name from 18th Street where it held sway. The national maras of the southern States are sub-divided into pandillas (sets) at a regional level and cliquas (cliques), a kind of base unit for a neighbourhood or even a street. The gang members, tattooed from head to toe, are called pandilleros or homeboys. The tattoos not only serve as identifiers, but provide a visible sign of their voluntary exclusion from society. How can you get a job with the number 13 or 18 tattooed on your forehead and your cheeks adorned with teardrops, representing the number of enemies you've killed?

Writing a new chapter in the history of gang warfare in Los Angeles, the story could have remained concentrated in the United States of America. But that was without taking Washington into account...

In 1996, the American government simultaneously decreed the Illegal Immigration Reform and the Immigrant Responsibility Act, in other words the adoption of a ferocious "double penalty" legislation allowing the authorities to send more than 100,000 gang members detained in the United States straight back to Central America. With frightening consequences: this flood of delinquents corrupted the order, social stability and economy of the countries of origin, Panama, Honduras, Salvador, Guatemala, Costa-Rica, and Nicaragua… And the relocation of the gangs triggered massive paranoia regarding security in the local states."


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Dec 9, 2010

Unwired: The Avon Barksdale Story (2010)



"This gripping film won Best Docudrama at this year’s NY International Independent Film & Video Festival and reveals the raw truth about death, drugs, and violence in the streets of Baltimore, MD. In The Avon Barksdale Story, the real Nathan Avon “Bodie” Barksdale tells all to actor Wood Harris, who played his on screen character in HBO’s critically acclaimed series The Wire.

The Wire was based on the lives of real gangsters. The Avon Barksdale Story is the first to chronicle the actual lives of these real people. Barksdale’s real name, Nathan Avon Barksdale, and his nickname, “Bodie,” were both used in the series as composite characters. Avon Barksdale was The Wire’s first season’s central character. The storyline focused on the Barksdale clan and their ruthless hold on Baltimore’s underworld and the intense efforts of law enforcement to stop them. Barksdale was a real crime figure in Baltimore."
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Dec 7, 2010

Murder-Set-Pieces (2004)

Director:
Nick Palumbo










"Set against Sin City, Las Vegas, "Murder-Set-Pieces" tells the story of a fashion photographer whose vocation is murder. Shot on 35mm film, "Murder-Set-Pieces" is a vicious assault on your senses. Director Nick Palumbo ("Nutbag") guides you through this voyeuristic nightmare of blood, sex and brutality."
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