"In this Serbian anti-war film, radical Serb director Zelimir Zilnik promotes his view that it is better to make love than it is to make war. The heroes are a transvestite, Merlin, and Sanela, a prostitute. They live together in a suburban home outside of Belgrade. Dzoni, who has recently come back from fighting on the Bosnian front, is the aggressive and heavily armed bad-guy. He desperately needs sex to mellow out his destructive urges.Zelimir Zilnik's film represents a most radical metaphor for a complete downfall of a country destroyed by degenerated outcomes of collectivism in the catastrophe of war which befell young people. Zilnik's characters come back from the battlefield only to face a criminal milieu deeply rooted, extermination of humans, pillage, break down of law and order, quotidian robberies.
Therefore, their only way to survive becomes sharp dropping of all values. Amidst the rottenness of a social scene which represents collectivism destroyed, the first signs of a certain resistance come from desperate people. These live as if in a puddle left after big floods, marginalized and stigmatized because of their perverted outlook of the world of the bottom."
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